To Be Continued…

I tried to be civil but they told me to just die, 

I tried to appeal to their human side 

but they have none, 

 

I tried the court’s but they got to them, 

They used their position of power 

and minions for bad, 

 

They used friends and family to break your heart wearing down your resistance, 

They tried to pressure you to take your own life 

but I refused, 

 

I wrote a book about it which includes proof of deliberate violations but they threatened.

 

There is no other way but to put it out there EVERYWHERE. 

 http://7westpublishing.com/

http://7westpublishing.com

They made the choice to engage in stealing lives but they don’t like the spotlight on them and their inhumane activities but they can publicly exploit ANYONE and then cause unimaginable hardships on individuals while portraying victims as sinister or perpetrators of heinous acts.

TO BE CONTINUED… 

Contact: Tiwanda Lovelace

P. O. Box 400001

Las Vegas, NV 89140

Phone: (877) 885-2944

E-Mail: tiwanda@7westpublishing.com

Website: http://7westpublishing.com/

Got to Love It -Freedom of the Press and Freedom of Speech!

These people never asked permission and were never coerced but willingly assisted in the activity to defraud!

 I submitted list of songs, copyright copies, and contracts request for assistance; however, I received my materials back from all the attorneys, groups, and agency, along with letters expressing no interest in representing me. 

On May 20, 1996, I filed a lawsuit against BMI, Zomba and Jive because of their lack of response to my request as

to how BMG, MCA, EMI, WEA, Polygram and Jive have released songs which blatantly infringe upon my copyrights. I sent these lyrics to Zomba.

Meet some of the people who directly took part in defrauding, manipulating and who are responsible for contributing & helping to violate my rights!

Richard Blackstone

(I can tell you from direct personal experience what his skill set was in the late 90’s – hiding & snaking).

“Richard brings many years of experience in music publishing to BMG,” Masuch said.  “Knowing him and his impressive skill set for more than 15 years already…(I can tell you from direct personal experience what his skill set was in the late 90’s – hiding & snaking).

 

Prior to joining WMG, Blackstone was President of Zomba Music Publishing. Originally a transactional attorney, Blackstone joined Zomba in 1989 as Director of Business Affairs.  Recognizing his talents in both business and the arts, he was later promoted to the dual role of Head of Creative and Head of Business Affairs, a position that included oversight of Zomba’s Country Music division located in Nashville. Having spent most of his career at Zomba, Blackstone helped grow the business from a handful of staff to what would become the largest independent music group of it’s time. He ran one of the two primary businesses that comprised those assets, which eventually sold to BMG in 2002. Once BMG acquired Zomba Publishing, Blackstone was made President and was given the additional responsibility of overseeing Brentwood Benson Music Publishing, the leading contemporary Christian music publisher.

(During the 20+ years of torture from the music industry & personnel)

Blackstone has been a highly respected executive in the entertainment industry for nearly 20 years.

In 2005 Blackstone was appointed to the position of Chairman and CEO of Warner/Chappell Music becoming responsible for all aspects of Warner Music Group’s worldwide music-publishing division operating in over 35 countries.

On November 11, 1994, due to the inability to contact Richard Blackstone – Zomba, rep over the phone regarding remaining balance for contract; my husband (at that time) and I had decided that we would go to New York to speak with Blackstone – Zomba, rep in person. Upon our arrival, we did not receive the welcome we were expecting and although we received check, Blackstone – Zomba, rep was unavailable for both days to speak with us.

Once we returned to Michigan, we still received phone calls and correspondents that suggested that they were still interested in working with me and arranged for me to interact and work with their producers and other writers.

 

Blackstone sent this list of songs that was included as a part of my contract but they deny any knowledge of later:

 

Their defense was that ‘they can choose which songs/works or even if they pursue claims of copyrights infringements’ (Especially, when it’s them – the company that was sent each song lyrics and melodies who are/were directly connected to all labels accused of copyright infringements).

 

They wanted to settle for over 40+ songs for $1,000.00)!

 

NO I DID NOT SIGN THAT MESS!

This was a joke and I was completely insulted and NO, I didn’t sign that mess…I have been fighting EVERYONE SINCE!

 

        Note: Paul Katz was sent a copy of letter regarding advance. I never knew he was affiliated with Zomba, prior to Paul Katz’s name was listed on check as signer.

Blackstone and Dave Renzer were right there playing the games directly so in spite of what you read. I personally experience their deceipt and involvement with the copyright infringements throughout those years. Everyone I spoke with was having a good time playing with my lyrics. Oh they loved them all while I was sending them and then when I started to get back to the money it was attack, deny and the games.

 

The private investment firm brings in the former CEO of Universal Music Publishing Group to lead its new music publishing project… 

 Universal Music Publishing Group Chairman and CEO David Renzer announced today (4/26) his plans to exit the company. He has been with the publisher 15 years, starting in 1996 with MCA Music Publishing. Renzer was promoted to his current post in 2004.

Haim Saban, the eponymous firm’s CEO and founder, said in a statement. “And we have great confidence that David, with his vast experience, will help us create an exciting new music publishing company together.” (He can definitely help with the exploitation part of the industry).

 

Renzer spent 15 years as chairman and CEO of Universal Music Publishing Group, where he controlled the operations in 50 of the company’s offices around the world. He oversaw  more than 100 music publishing acquisitions, including Polygram, Rondor, Zomba and one of the industry’s major moves, BMG Music Publishing.

He also supervised Universal’s signing of major artists such as Paul Simon, 50 Cent, Mariah Carey, Justin Bieber and the catalogs of Jimi Hendrix.

Renzer began his career at Zomba Music Publishing, where he remained for a decade.

By 1990, Zomba was worth $225 million with over fifty companies. Contrary to most other record businesses at the time, Zomba spared no time with frills. “The Jive offices were crummy, cardboard desks. They just really did everything on the cheap”, says attorney Gary Stiffelman. The company began to attract more major label attention when EMI attempted to buy the company, but was ultimately turned down.^[7][8] This period also saw Ralph Simon leaving Zomba at the start of the decade. Through an unspecified “ethical disagreement”, Calder and Simon ended their relationship of over two decades.^[7] Calder bought out Simon’s half of the company and subsequently gained full control of the company.^[1] In late 1991, BMG furthered its relationship with Zomba buy purchasing a 25% stake in their music publishing business, allowing them to sub-publish Zomba compositions in foreign markets.^[1] BMG continued with a 20% purchase of Zomba’s records division in 1996.^[16]

This was a rough time for me. I could feel the treachery. I found out later what happened to the songs. They were all over the radio.

        Note: Paul Katz was sent a copy of letter regarding advance. I never knew he was affiliated with Zomba, prior to Paul Katz’s name was listed on check as signer.

Blackstone and Dave Renzer were right there playing the games directly so in spite of what you read. 

I personally experience their deceit and involvement with the copyright infringements throughout those years. Everyone I spoke with was having a good time playing with my lyrics. Oh they loved them all while I was sending them and then when I started to get back to the money it was quickly turned to attack, deny and the games.

c. Letter sent to Zomba/Jive regarding Betrayal

February 23, 1995 Letter I sent to Zomba regarding blatant betrayal:

First, I addressed her. After she expressed satisfaction with works; suddenly, all the positive words of encouragement and compliments turned to insults. It was smash and grab…

This is prior to all my so-called unmarketable song lyrics and melodies were all over the radio…

Read more: http://www.answers.com/topic/zomba-label-group-1#ixzz2eBOUfNan

Music Business: It’s a dirty Game – Page 152

Almost every song that I had written was passed along for some type of payback or vendetta. For a songwriter to hear their melodies is like recognizing your child cries or your name being called repeated. It reminded me of the story that I had heard about a famous writing team. It was told that one of their girlfriends was actually writing the lyrics but was never given credit or monies. I was told that it wasn’t unheard of to emotionally abuse, reject and cause severe duress to influence suicidal actions. I was told that she killed herself. One can never imagine that pain of being used and discarded; then to top it off tortured and mocked.

If it weren’t for the viciousness of the people, it would be easy for me to believe that the stories told were all lies to distract or influence response that would cause a deadly reaction. I was thrown to the wolves and it was ‘okay’. It was nothing; I was nothing – a Ghost.

In addition, the music wasn’t the only thing used. I couldn’t watch a television program without the ridiculous similarities to my current household topics and concerns. I know I am super sensitive right now so maybe I am tripping (at least that’s what I told myself. There is no chance of this many similarities and topics over this period of time.

It shook me, I cannot lie. I was broken inside.

I trained my mind to keep moving, changing my thinking pattern, never focusing on anything for too long. I stopped listening to the radio for a long time. I changed my whole life in order to cope because I have no intention of giving them the satisfaction of my complete self-destruction.

I submitted list of songs, copyright copies, and contracts request for assistance; however, I received my materials back from all the attorneys, groups, and agency, along with letters expressing no interest in representing me. On May 20, 1996, I filed a lawsuit against BMI, Zomba and Jive because of their lack of response to my request as to how BMG, MCA, EMI, WEA, Polygram and Jive have released songs which blatantly infringe upon my copyrights. I sent these lyrics to Zomba.

 

This was a joke and I was completely insulted and NO, I didn’t sign that mess…I have been fighting EVERYONE SINCE!

        Note: Paul Katz was sent a copy of letter regarding advance. I never knew he was affiliated with Zomba, prior to Paul Katz’s name was listed on check as signer.

Blackstone and Dave Renzer were right there playing the games directly so in spite of what you read. 

I personally experience their deceit and involvement with the copyright infringements throughout those years. Everyone I spoke with was having a good time playing with my lyrics. Oh they loved them all while I was sending them and then when I started to get back to the money it was quickly turned to attack, deny and the games.

 

 

 

This was a joke and I was completely insulted and NO, I didn’t sign that mess…I have been fighting EVERYONE SINCE!

 

 

Courts advised complaint must comply with F.R. Civil procedures; short and plain statements, numbered with demand for judgement. Court gave (10) ten days to respond; So I did…

On June 24, 1996, I responded with request for counsel to be assigned to prevent protraction due to lack of management (within legally alloted 10 days time). Note: U.S. District court seal, dated Jun 24, 1996 at 10:45am…AND

Note: On June 24, 1996, I provided court with 2nd/Revised Complaint that was ‘set forth in short, plain statements’ as required by law.

          Note: Clearly explained Each document listed as Exhibits

 

Note: Clearly explained Each document listed as Exhibits

Both; The Revised Complaint and the Letter of explanation ‘set forth in numbered, short, plain statements that clearly state my argument, basis for claim, legal theories, supporting documents listed as exhibits, provided jurisdiction and demand for judgment as required by Fed. Rules on Civil rules of law. I presented the courts with copyrights

 

 

Each form presented to courts was sent to Defenants