Archive | January 2015

‘Don’t Let Them Steal your Dream!’

Tiwanda ‘Ne Ne’ Lovelace Bio Email Website | Twitter | YouTube | Online Store
E.O.A.A. Weekly News Article: Friday, January 23, 2015
‘Don’t Let Them Steal your Dream!’

In general, most people feel obligated to provide some kind of response when we hear that someone that we know has had a bad experience.

Even in passing, without giving it second thought we utter, ‘Bless you!’ when someone sneezes or we will automatically reply to another’s greeting by saying, ‘Good morning…’

This week’s article addresses these phrases and comments, such as: 

‘Don’t Let Them Steal your Dream,’ 

‘It’s not about the money, Do it for the Love of Music!’ and 

‘You just happened to Work With a Bad Group, Try Again!  
First, let me say that when someone uses these words to reach you, it doesn’t automatically mean that they have bad intentions. Sometimes it can be an automatic response just like that greeting or salutation.

There is always the possibility that any negative dealings can be perceived as a learning experience that will provide a valuable lesson later on in life.

However, these common phases are often used when referencing individuals who most likely have already endured severe disappointment and/or suffered a traumatic experience involving the music business.

I plan to explore the mentality behind those responses and to discern why it would not only be illogical to consider but to the artist’s own detriment.

At a glance, anyone would be able to surmise that maybe there is more to the story with all of the artist that have come and have gone throughout the decades, never to be heard from again. Especially, when some of these artists were associated with hit song(s); yet, they choose to remove themselves from the business.

Clearly, they must have their reasons because no one is going to just walk away from a profitable venture without cause.

I get the whole ‘if at first you don’t succeed, try, try again’ mentality that our loved ones used to condition our minds as children so that we would continue to strive for success. However; as reasoning adults, we must consider the facts and look objectively at the whole venture from all angles to ascertain whether our actions would truly be beneficial.

Trust, I am all too familiar with those who would encourage other individuals to try again with a new group or entity. They may truly mean well for you and/or maybe they are unable understand the sheer wickedness and the brutality involved in stripping individuals of their dignity.

It is possible that they are unaware or oblivious to the many ‘cross-label placements of the aspiring artist submitted and ‘gutted’ works.

They may have no idea of the serious ongoing ‘conflict of interest’ issues involved in seeking and obtaining representation in legal matters (which has been publicly acknowledged by legal professionals but has never been properly addressed in the industry).
Those individuals’ have no idea regarding the many unethical practices used by many industry personnel. They are unaware of the deliberately imposed inability to pursue copyright infringements or of the deliberate theft of music royalties and writer’s credit. They cannot conceive the loss of support and deliberate betrayal of family members and friends.

Basically, some of those who resort to attempting to get you back into the business may want you to continue to provide your services for their own personal financial gain.

In Music, Murder and Mayhem – A True Story, I touched on the topic of betrayal and how those closest to you can manipulate:

“Depending on whether or not you are just beginning your descent into the industry or if you have found yourself stuck in the middle of a chaotic situation. This will determine what steps that you will have to take. Who you decide to allow to influence you, can affect your outcome.

Don’t forget about the storm’ of backstabbing friends, oppressing family members, snaking strangers and money grubbing manipulators intent on keeping you subjected, suppressed and thrown to the wolves if they are unable to make a profit.

I am not saying that everyone will prove to be disloyal but it is important to remember that the possibility of betrayal does exist and it is more likely that these individuals who are close to you can be put in situations where they will be forced to choose themselves over you.”
Local producers and engineers are affected directly by decisions made behind the scenes and even if they want to pay you or even if they have every intention on conducting business properly, most won’t because the decision is not up to them. There will always be those time when they must choose between their own personal needs and honoring an arrangement with you.

I’m sorry but no matter how strong you believe your bonds are you will lose!

Most likely, they will keep you in the dark, cut off and isolated while they run off with your work to misrepresent your work. Their justification is the mentality is that, ‘Big Pimpin,’ ‘Dog-Eat-Dog’ and ‘Only the Strong Survive!’

‘It’s not about the money, Do it for the Love of Music!’

If my products were not in conflict with a billion 


dollar industry would their be this much opposition?

See: http://musicbizadirtygame.blogspot.com/p/music-business-its-dirty-game-extra.html

Local Producers (Runners),

IC’s-Independent contractors &Reps

In previous weekly articles, we addressed the independent contractors, local producers (runners) and other representatives who ‘work’ your city – the front line. There are hundreds of thousands of aspiring artist, writers and producers who are pursuing a career in the music business.

Every producer, engineer, or anyone who is in your city with studio equipment, other artist or popular individuals in the music business.

Each are usually connected or knows someone who is connected to one major label or another.

The following italicized information was previously posted but deserves even more attention to be placed on their connection and contribution to the detriment of those aspiring artist.

In my opinion it’s comparable to using independent contracts and vendors. Those behind the scenes are not monitoring the local executives, producers and attorneys.

Many companies hire independent contractors in an attempt to avoid having to cover the cost of health coverage, benefits, etc…

AND;

IC’s provides a sort of autonomy and encourages denial of prior knowledge or involvement of events which can raise questions regarding possible unethical or illegal activities.

Seriously, when is the last time you heard of a NEW Artist being discovered and meeting up with a major record company executive? Never!

On the other hand, you have heard or read details of a new artist being ‘discovered’ by someone associated with major record labels.

Our publications demonstrate and expand more on this subject.

 
              
 

These titles clearly describes how some of these individuals work together to conspire against their own artist and others.

eBooks: http://shop7westpublishing.com

Printed: http://shop.7westpublishing.com

Remember, every producer, engineer, or anyone who is in your city with studio equipment, other artist or they are popular…each are usually connected or knows someone who is connected to one major label or another.

Although you may be introduced to each individual separately, it is more likely that they are associated and connected behind the scenes in an effort to ‘work’ you in some form of quiet competition. I know that you are thinking that I am referencing some conspiracy theory but it is a proven fact (see – Music Business: It’s a Dirty Game!).

The real problem is not that there isn’t enough money to be made but it is greed that entices those to hoard the profits. It is desperation that causes some to conspire against the aspiring artist.

Many of these individuals referred to as IC’s, runners, etc…) have dedicated countless years to their careers and have nothing to show for their sacrifices, this can lead to desperation.

I personally ran around for years working with other local production company’s trying to make that hit song that would change my life. I found out many years later that most of these individuals in groups had formed labels and production companies which confirmed that they knew each other and were working together.

Record labels and production companies receive hundreds of thousands of demo tapes but no one has ever received a letter requesting you to immediately sign a major contract so we can make you a star.

They do not respect you or your efforts because they have more experience so why would they run to get you millions of dollars in contracts when they feel that they deserve it more.

Whatever you do, please do not send them all of your work because you will hear bits and pieces of your work elsewhere. It doesn’t take (10) ten songs to prove that you can write, it only gives them (9) nine reasons as to why they don’t have to pay you.

If it is good work, they may arrange for you to meet someone and conveniently you may find yourself surrounded by industry personnel. Don’t get too excited his is not necessarily in your favor.

Eventually, the tension between the ‘haves’ and the ‘have-nots’ erupts and then violence ensues.

To put it plainly, a lot of the individuals associated with developing and bringing in these billions of dollars from sales are not compensated properly or in some cases not compensated at all.

I’m sure that at one point in your life you have heard the phrase, ‘There’s no such thing as half-way crooks.’

You can rest assured that if and when you find yourself in bad company, it won’t be long before they will try to cut you out completely in any way possible immediately after you have served their purpose. If there is any way possible to avoid having to compensate most, they will.

Although predominantly it is minorities and women who are subjected to this form of treatment, it is not limited to these individuals. The truth is, money has but one color!

‘It’s not about the money, Do it for the Love of Music!’
A lot of local producers will definitely use this line to encourage you to continue to conduct business as if nothing happened.

If it’s not about the money, then why is the music industry worth hundreds of millions – even billions of dollars? They are not working for free so why should you?

So when others attempt to use this logic with you, ask them to give you some free use of equipment, free materials and their connects…since it’s about the ‘love of music.’ This is a business, period!

‘Don’t Let Them Steal your Dream!’

Personally, music was not my first love. It was just a hobby that I attempted turned into a business venture; thus, the birth of Seven West Productions.

Even if it wasn’t my ultimate dream, I loved and considered my work to be a part of me. It didn’t matter that I was originally signed to be in a girl group at (18) eighteen years old. It didn’t matter that I had worked throughout the city with local production companies for years prior to Zomba’s Co-Publishing Agreement.

It seems that it’s their game or purpose is to ‘lyrically’ pass you around amongst their team. What was done to me and what continues to be done to aspiring artist is completely unnecessary!

When addressing the – ‘Don’t Let Them Steal your Dream’ suggestion, I have to say that we are all capable of achieving greatness in many different ways.

While in pursuit of your dreams and goals, talent is not the only factor. Creative and inspired individuals are not limited to any single aspiration.

If you have a voice, your options can be increased by using your gift to open many opportunities; such as, voice overs, speaker, spoken word, podcast, etc…

I know that these options may not be as glamorous but they can still be profitable. Once you have resources, you may revisit your decisions after making a name for yourself.

If you worked for a company for over 20 years and got screwed, while everyone took turns jumping on you, would you go back and start in the mail room?

That sounds good but the truth of the matter is that by posting you up and manipulating events and rivalry, they give you so many enemies. There are so many people who are hurt to the point where you have deal with too many snakes and haters, lying and gunning for you.

By labeling some individuals as simply being disgruntled, they hope that their filth doesn’t come to light or they hope to keep you from prospering just because they couldn’t!

‘Be careful who you f#% with and who you don’t…’ 

I’m going to let you guess which artist said this but this is the truest advice that anyone can give you about the business.

‘You just happened to Work With a Bad Group, Try Again!
That’s the key right there, those who are making decisions behind the scenes are listening to those IC’s, runners, local producers. They also have access to whatever they want and if you believe that people don’t use their positions and money to flex, you are in denial. People can do what they want to any person who is without money or connects.

The word that best describes this method is, Blackballing!

BLACKBALLED?

‘Blackballing’ is when conspire to ruin someone’s reputation until they become unemployable and people refuse to associate with them. This includes obtaining legal representation or assistance. Lives are destroyed on a daily with lies and trickery using this method.

My plight is not just about a broken heart and I’m not just sitting back being angry and disgruntled. Like many others, I used to believe that the artist just signed bad deals or didn’t handle their copyrights, etc…THIS IS SO FAR FROM THE TRUTH!

This is not just about a bunch of local producers stealing songs. Even though it is low down how the local producers and labels sell out their own artist and writers for chump change.

It’s about others getting rich off your labor while you are treated like you are not a human being with rights. It’s about, how you can be deprived of your basic necessities because of blackballed with lies and deceit.

I am very passionate about sharing my experiences through articles and publications because it is a form of freedom. It’s about obtaining true freedom from oppressors who have deliberately used money, power and positions to steal, lie, and prevent assistance by blackballing individuals.

Blackballing entails hindering any advancement; which includes, employment and financial support.

Unfortunately, I am unable to schedule the major tours, seminars, worldwide promotional and marketing campaigns in an effort to demonstrate and to blast the unethical practices and extremely illegal methods used by industry personnel and the ‘system’ that allows and encourages these acts by willfully refusing to address.

I was not paid for many of my multiple works that were submitted to my so-called music publisher.

Regarding my state of mind, I am truly disappointed and disheartened but I am not bitter or embittered. I do not and will not just except my inability to even pursue or to seek justice.

I can honestly say that my musical lyrics and melodies successfully made the top of the charts for decades! My work being used was confirmation that I was successful in what I was producing musically. Talent was never an issue and true ‘Success’ is not always determined by name recognition or popularity!

I can assure you that my inability to obtain all of my royalties for the many stolen musical work was not because of me not working hard or not because of an inability to build and maintain relationships. 

I don’t have a problem helping others learn about the right way to protect yourself by avoiding pitfalls.

So it’s not always a matter of not knowing how to play the ‘game’ or about having an understanding, the ‘game’ is simply not meant for everyone.

For example: If the only way that certain females can play the game is by being on her knees and if she doesn’t want to conform…then that game is not for her!

Maybe you should change the rules, find a new game or create another way to get to your dreams!

I always use the comparison that ‘a woman cannot drop to her knees for every man in her path or she will never get off the ground.’

So if you are in the position of having to choose between finishing college and signing an entertainment contract, unless they are committing to a very large advance (enough to cover your legal fees for decades)…STAY IN SCHOOL!

‘Just be Discreet and Keep Working on Projects, 

they won’t know…’

That sounds good but the truth of the matter is that they give you so many enemies and hurt too many people to the point where you have to deal with an over-whelming amount of opposition.
Imagine snakes and haters, lying and ‘gunning’ for you – all while hoping that their filth doesn’t come to light or they hope to keep you from prospering just because they couldn’t!

I know the game, I lived it and I am not impressed…but you can go right ahead, send off your copyrights…Lol.

Those in the industry know ‘the game’ and how to manipulate situations so when you refuse to do what they tell you or dehumanize yourself; they label you as trouble.

This book describes how those with money, power, and position use mass manipulation to discredit, its use of technology to spy, use of threats and intimidation to isolate.

Like animals circling its prey, victims are surrounded, stalked, studied and set-up.

Like lambs led to slaughter, you won’t realize the severity of your situation until you are knee deep in a ‘storm’ of backstabbing friends, oppressing family members and snaking strangers. – Music, Murder and Mayhem – A True Story! Available @ http://shop7westpublishing.com/

Most IC’s are not reaching their potential because those behind the scene are putting too much emphasis on trying to use the music for dual purposes or to send negative subliminal messages and ‘double dealing.’

Dual purpose use (in my opinion) is when after signing, the artist works are utilized against the aspiring artist in an effort to induce harm and even suicidal responses from the helplessness of being unable to secure representation or assistance.

Double-Dealing is when the aspiring artist’s compositions, lyrical works and compilations are spread across multiple labels for use and to be ‘gutted’ after falling victim to the ‘twisted’ contract presented by local production company or some want to be ‘slick’ producer.

After enduring any of the following, it should be clear that it is not as simple for some to just accept your whimsical response or advice because of the underlying factors.

‘Don’t Let Them Steal your Dream’

Recap
I personally have written many articles on the business of music that details some of the many reasons why some songwriters are not successful. I would like to encourage you to read up on what’s really going on before you minimize others plight.

In my articles, I provide actual steps that can be taken in order to avoid pitfalls and I provide information to assist in preventing victims.

For over twenty years, we have been the voice of those seeking assistance by providing evidence of blatant violations of civil rights and in spite of have had copyrights, initial legal representation, supporting documentation, etc… but it was ignored.

The many years of the artists’ hard work is dismissed and they were never able to secure thousands for a legal retainer or find proper counsel that would be equipped to pursue litigation. Even after surviving the many life threatening events that were and are manipulated against these artist, they are denied any open financial support; thus, inducing homelessness. This prevents any future successful prospects or ventures because if they are able to obtain proper finances prior to accepting some menial figure or promise, they may be able to the real help that is required to gain their true freedom. 

 I hate to go there but if you are not of a minority or if not a male (in a male dominated industry) you cannot even imagine what can happen and has happened to its victims!

My point is that I don’t think that you can really compare the music industry to other industries because other industries are held accountable when they blatantly violate individuals.

This cannot be said about the music business because they operate with impunity for decades! Their victims deserve more than being accused of being bitter or embittered.

I will respect your rights to express your thoughts but I encourage you to learn from others experiences!  

Please don’t forget those who are or have been deprived of their opportunities; which includes, being denied the opportunity to even seek proper resolution!

When you say, ‘Such as Life!’ you are refusing to acknowledge or are just unaware of the shady practices used in the music industry. Therefore, you only condone these violations by placing blame on the victims instead of a system that encourages this behavior!

It is your decision as to whether you choose to ignore the recommendations and warnings regarding conducting business from experienced individuals those in that industry.

Every week, we provide information related to shedding light on the darkest parts of the Music industry and we expose the ‘system’ that allows these illegal activities to continue to operate with impunity. 

CONFLICT OF INTEREST – How does it affect your Music Career?

http://musicbizadirtygame.blogspot.com/2014/10/conflict-of-interest-how-does-it-affect.html

Is Age a Factor in the Music Business?

http://musicbizadirtygame.blogspot.com/2014/10/is-age-factor-in-music-business-uncut.html

Is College a Cure-All for a Career in Music?

http://musicbizadirtygame.blogspot.com/2014/10/is-college-cure-all-for-career-in-music.html

What’s In Your Contract?

http://musicbizadirtygame.blogspot.com/2014/10/whats-in-your-contract-there-should-be.html

I feel that these Articles and books differ because it doesn’t just give you words from one person’s viewpoint, it provides step by step documentation proving how the artist works are stolen and how they are able to continue stealing lives.

These books utilizes contracts with major music publisher, copyrights, court records and more to demonstrate tactics used to steal, oppress and destroy lives.

Unfortunately, it’s the people that hide that truth about the music industry who are the reasons why there are so many victims because you assist in maintaining the lies.

Comic Strips

http://musicbizadirtygame.blogspot.com/2014/10/office-politics-meets-technology.html

your move - sleepy comic By Ne Ne Lovelace bitstrip 696 x 400 Unethical Behavior - Comic Strip by Ne Ne Lovelace jpeg

If my products were not in conflict with a billion dollar industry would their be this much  

opposition? Click Here 

Does this seem like just some disgruntled artist that’s mad about some songs….

This so-called Blackballing from the music industry  is preventing fair trade and interfering with fair 

trade practices…The lies of industry personnel is affecting life outside of being in the music business!

Created and written by Tiwanda ‘Ne Ne’ Lovelace, 

Author & Founder of SWP, LLC – (click here ->): BIO

Created and written by Tiwanda ‘Ne Ne’ Lovelace, 

Author & Founder of SWP, LLC – (click here ->): BIO

All rights reserved. No part of this blog or books may be reproduced in any form or by electronic or mechanical means, including information storage or retrieval system, without permission in writing from the publisher, except by a reviewer who may quote brief passages.

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‘Don’t Let Them Steal your Dream’

All rights reserved. No part of this blog or books may be reproduced in any form or by electronic or mechanical means, including information storage or retrieval system, without permission in writing from the publisher, except by a reviewer who may quote brief passages.

 If you experience technical/formatting issues, visit: http://musicbizadirtygame.blogspot.com/

Tiwanda ‘Ne Ne’ Lovelace Bio Email Website | Twitter | YouTube | Online Store
E.O.A.A. Weekly News Article: Friday, January 21, 2015
‘Don’t Let Them Steal your Dream’
 

In general, most people feel obligated to provide some kind of response when we hear that someone that we know has had a bad experience.

Even in passing, without giving it second thought we utter, ‘Bless you!’ when someone sneezes or we will automatically reply to another’s greeting by saying, ‘Good morning…’

This week’s article addresses these phrases and comments, such as:

‘Don’t Let Them Steal your Dream,’ 

‘It’s not about the money, Do it for the Love of Music!’ and 

‘You just happened to Work With a Bad Group, Try Again!  

First, let me say that when someone uses these words to reach you, it doesn’t automatically mean that they have bad intentions. Sometimes it can be an automatic response just like that greeting or salutation.

 

There is always the possibility that any negative dealings can be perceived as a learning experience that will provide a valuable lesson later on in life.

 

However, these common phases are often used when referencing individuals who most likely have already endured severe disappointment and/or suffered a traumatic experience involving the music business.

 

I plan to explore the mentality behind those responses and to discern why it would not only be illogical to consider but to the artist’s own detriment.

 

At a glance, anyone would be able to surmise that maybe there is more to the story with all of the artist that have come and have gone throughout the decades, never to be heard from again. Especially, when some of these artists were associated with hit song(s); yet, they choose to remove themselves from the business.

 

Clearly, they must have their reasons because no one is going to just walk away from a profitable venture without cause.

 

I get the whole ‘if at first you don’t succeed, try, try again’ mentality that our loved ones used to condition our minds as children so that we would continue to strive for success. However; as reasoning adults, we must consider the facts and look objectively at the whole venture from all angles to ascertain whether our actions would truly be beneficial.

Trust, I am all too familiar with those who would encourage other individuals to try again with a new group or entity. They may truly mean well for you and/or maybe they are unable understand the sheer wickedness and the brutality involved in stripping individuals of their dignity.

 

It is possible that they are unaware or oblivious to the many ‘cross-label placements of the aspiring artist submitted and ‘gutted’ works.

 

They may have no idea of the serious ongoing ‘conflict of interest’ issues involved in seeking and obtaining representation in legal matters (which has been publicly acknowledged by legal professionals but has never been properly addressed in the industry).

 

Those individuals’ have no idea regarding the many unethical practices used by many industry personnel. They are unaware of the deliberately imposed inability to pursue copyright infringements or of the deliberate theft of music royalties and writer’s credit. They cannot conceive the loss of support and deliberate betrayal of family members and friends.

 

Basically, some of those who resort to attempting to get you back into the business may want you to continue to provide your services for their own personal financial gain.

 

In Music, Murder and Mayhem – A True Story, I touched on the topic of betrayal and how those closest to you can manipulate:

 

“Depending on whether or not you are just beginning your descent into the industry or if you have found yourself stuck in the middle of a chaotic situation. This will determine what steps that you will have to take. Who you decide to allow to influence you, can affect your outcome.

 

Don’t forget about the storm’ of backstabbing friends, oppressing family members, snaking strangers and money grubbing manipulators intent on keeping you subjected, suppressed and thrown to the wolves if they are unable to make a profit.

 

I am not saying that everyone will prove to be disloyal but it is important to remember that the possibility of betrayal does exist and it is more likely that these individuals who are close to you can be put in situations where they will be forced to choose themselves over you.”

 

 

Local producers and engineers are affected directly by decisions made behind the scenes and even if they want to pay you or even if they have every intention on conducting business properly, most won’t because the decision is not up to them. There will always be those time when they must choose between their own personal needs and honoring an arrangement with you.

I’m sorry but no matter how strong you believe your bonds are you will lose!

 

Most likely, they will keep you in the dark, cut off and isolated while they run off with your work to misrepresent your work. Their justification is the mentality is that, ‘Big Pimpin,’ ‘Dog-Eat-Dog’ and ‘Only the Strong Survive!’

Local Producers (Runners), IC’s-Independent contractors &Reps

In previous weekly articles, we addressed the independent contractors, local producers (runners) and other representatives who ‘work’ your city – the front line. There are hundreds of thousands of aspiring artist, writers and producers who are pursuing a career in the music business.

 

Every producer, engineer, or anyone who is in your city with studio equipment, other artist or popular individuals in the music business.

 

Each are usually connected or knows someone who is connected to one major label or another.

 

The following italicized information was previously posted but deserves even more attention to be placed on their connection and contribution to the detriment of those aspiring artist.

 

In my opinion it’s comparable to using independent contracts and vendors. Those behind the scenes are not monitoring the local executives, producers and attorneys.

 

Many companies hire independent contractors in an attempt to avoid having to cover the cost of health coverage, benefits, etc…

 

AND;

 

IC’s provides a sort of autonomy and encourages denial of prior knowledge or involvement of events which can raise questions regarding possible unethical or illegal activities.

 

Seriously, when is the last time you heard of a NEW Artist being discovered and meeting up with a major record company executive? Never!

 

On the other hand, you have heard or read details of a new artist being ‘discovered’ by someone associated with major record labels.

 

Our publications demonstrate and expand more on this subject.

 
              
 

These titles clearly describes how some of these individuals work together to conspire against their own artist and others.

 

eBooks: http://shop7westpublishing.com

Printed: http://shop.7westpublishing.com

 

Remember, every producer, engineer, or anyone who is in your city with studio equipment, other artist or they are popular…each are usually connected or knows someone who is connected to one major label or another.

 

Although you may be introduced to each individual separately, it is more likely that they are associated and connected behind the scenes in an effort to ‘work’ you in some form of quiet competition. I know that you are thinking that I am referencing some conspiracy theory but it is a proven fact (see – Music Business: It’s a Dirty Game!).

 

The real problem is not that there isn’t enough money to be made but it is greed that entices those to hoard the profits. It is desperation that causes some to conspire against the aspiring artist.

 

Many of these individuals referred to as IC’s, runners, etc…) have dedicated countless years to their careers and have nothing to show for their sacrifices, this can lead to desperation.

 

I personally ran around for years working with other local production company’s trying to make that hit song that would change my life. I found out many years later that most of these individuals in groups had formed labels and production companies which confirmed that they knew each other and were working together.

 

Record labels and production companies receive hundreds of thousands of demo tapes but no one has ever received a letter requesting you to immediately sign a major contract so we can make you a star.

 

They do not respect you or your efforts because they have more experience so why would they run to get you millions of dollars in contracts when they feel that they deserve it more.

 

Whatever you do, please do not send them all of your work because you will hear bits and pieces of your work elsewhere. It doesn’t take (10) ten songs to prove that you can write, it only gives them (9) nine reasons as to why they don’t have to pay you.

 

If it is good work, they may arrange for you to meet someone and conveniently you may find yourself surrounded by industry personnel. Don’t get too excited his is not necessarily in your favor.

 

Eventually, the tension between the ‘haves’ and the ‘have-nots’ erupts and then violence ensues.

 

To put it plainly, a lot of the individuals associated with developing and bringing in these billions of dollars from sales are not compensated properly or in some cases not compensated at all.

 

I’m sure that at one point in your life you have heard the phrase, ‘There’s no such thing as half-way crooks.’

 

You can rest assured that if and when you find yourself in bad company, it won’t be long before they will try to cut you out completely in any way possible immediately after you have served their purpose. If there is any way possible to avoid having to compensate most, they will.

 

Although predominantly it is minorities and women who are subjected to this form of treatment, it is not limited to these individuals. The truth is, money has but one color!

 

 

‘It’s not about the money, Do it for the Love of Music!’
A lot of local producers will definitely use this line to encourage you to continue to conduct business as if nothing happened.

 

If it’s not about the money, then why is the music industry worth hundreds of millions – even billions of dollars? They are not working for free so why should you?

 

So when others attempt to use this logic with you, ask them to give you some free use of equipment, free materials and their connects…since it’s about the ‘love of music.’ This is a business, period!

 

‘Don’t Let Them Steal your Dream’

 

 

Personally, music was not my first love. It was just a hobby that I attempted turned into a business venture; thus, the birth of Seven West Productions.

 

Even if it wasn’t my ultimate dream, I loved and considered my work to be a part of me. It didn’t matter that I was originally signed to be in a girl group at (18) eighteen years old. It didn’t matter that I had worked throughout the city with local production companies for years prior to Zomba’s Co-Publishing Agreement.

 

It seems that it’s their game or purpose is to ‘lyrically’ pass you around amongst their team. What was done to me and what continues to be done to aspiring artist is completely unnecessary!

 

When addressing the – ‘Don’t Let Them Steal your Dream’ suggestion, I have to say that we are all capable of achieving greatness in many different ways.

 

While in pursuit of your dreams and goals, talent is not the only factor. Creative and inspired individuals are not limited to any single aspiration.

 

If you have a voice, your options can be increased by using your gift to open many opportunities; such as, voice overs, speaker, spoken word, podcast, etc…

 

I know that these options may not be as glamorous but they can still be profitable. Once you have resources, you may revisit your decisions after making a name for yourself.

 

If you worked for a company for over 20 years and got screwed, while everyone took turns jumping on you, would you go back and start in the mail room?

 

That sounds good but the truth of the matter is that by posting you up and manipulating events and rivalry, they give you so many enemies. There are so many people who are hurt to the point where you have deal with too many snakes and haters, lying and gunning for you.

 

By labeling some individuals as simply being disgruntled, they hope that their filth doesn’t come to light or they hope to keep you from prospering just because they couldn’t!

 

‘Be careful who you f#% with and who you don’t…’ 

 

I’m going to let you guess which artist said this but this is the truest advice that anyone can give you about the business.

 

‘You just happened to Work With a Bad Group, Try Again!
That’s the key right there, those who are making decisions behind the scenes are listening to those IC’s, runners, local producers. They also have access to whatever they want and if you believe that people don’t use their positions and money to flex, you are in denial. People can do what they want to any person who is without money or connects.

 

The word that best describes this method is, Blackballing!

 

BLACKBALLED?

 

‘Blackballing’ is when conspire to ruin someone’s reputation until they become unemployable and people refuse to associate with them. This includes obtaining legal representation or assistance. Lives are destroyed on a daily with lies and trickery using this method.

 

My plight is not just about a broken heart and I’m not just sitting back being angry and disgruntled. Like many others, I used to believe that the artist just signed bad deals or didn’t handle their copyrights, etc…THIS IS SO FAR FROM THE TRUTH!

 

This is not just about a bunch of local producers stealing songs. Even though it is low down how the local producers and labels sell out their own artist and writers for chump change.

 

It’s about others getting rich off your labor while you are treated like you are not a human being with rights. It’s about, how you can be deprived of your basic necessities because of blackballed with lies and deceit.

 

I am very passionate about sharing my experiences through articles and publications because it is a form of freedom. It’s about obtaining true freedom from oppressors who have deliberately used money, power and positions to steal, lie, and prevent assistance by blackballing individuals.

 

Blackballing entails hindering any advancement; which includes, employment and financial support.

 

Unfortunately, I am unable to schedule the major tours, seminars, worldwide promotional and marketing campaigns in an effort to demonstrate and to blast the unethical practices and extremely illegal methods used by industry personnel and the ‘system’ that allows and encourages these acts by willfully refusing to address.

 

I was not paid for many of my multiple works that were submitted to my so-called music publisher.

 

Regarding my state of mind, I am truly disappointed and disheartened but I am not bitter or embittered. I do not and will not just except my inability to even pursue or to seek justice.

 

I can honestly say that my musical lyrics and melodies successfully made the top of the charts for decades! My work being used was confirmation that I was successful in what I was producing musically. Talent was never an issue and true ‘Success’ is not always determined by name recognition or popularity!

 

I can assure you that my inability to obtain all of my royalties for the many stolen musical work was not because of me not working hard or not because of an inability to build and maintain relationships.

 

I don’t have a problem helping others learn about the right way to protect yourself by avoiding pitfalls.

 

So it’s not always a matter of not knowing how to play the ‘game’ or about having an understanding, the ‘game’ is simply not meant for everyone.

 

For example: If the only way that certain females can play the game is by being on her knees and if she doesn’t want to conform…then that game is not for her!

 

Maybe you should change the rules, find a new game or create another way to get to your dreams!

 

I always use the comparison that ‘a woman cannot drop to her knees for every man in her path or she will never get off the ground.’

 

So if you are in the position of having to choose between finishing college and signing an entertainment contract, unless they are committing to a very large advance (enough to cover your legal fees for decades)…STAY IN SCHOOL!

 

‘Just be Discreet and Keep Working on Projects, they won’t know…’

 

That sounds good but the truth of the matter is that they give you so many enemies and hurt too many people to the point where you have to deal with an over-whelming amount of opposition.
Imagine snakes and haters, lying and ‘gunning’ for you – all while hoping that their filth doesn’t come to light or they hope to keep you from prospering just because they couldn’t!

 

I know the game, I lived it and I am not impressed…but you can go right ahead, send off your copyrights…Lol.

 

Those in the industry know ‘the game’ and how to manipulate situations so when you refuse to do what they tell you or dehumanize yourself; they label you as trouble.

 

This book describes how those with money, power, and position use mass manipulation to discredit, its use of technology to spy, use of threats and intimidation to isolate.

 

Like animals circling its prey, victims are surrounded, stalked, studied and set-up.

 

Like lambs led to slaughter, you won’t realize the severity of your situation until you are knee deep in a ‘storm’ of backstabbing friends, oppressing family members and snaking strangers. – Music, Murder and Mayhem – A True Story! Available @ http://shop7westpublishing.com/

 

Most IC’s are not reaching their potential because those behind the scene are putting too much emphasis on trying to use the music for dual purposes or to send negative subliminal messages and ‘double dealing.’

 

Dual purpose use (in my opinion) is when after signing, the artist works are utilized against the aspiring artist in an effort to induce harm and even suicidal responses from the helplessness of being unable to secure representation or assistance.

 

Double-Dealing is when the aspiring artist’s compositions, lyrical works and compilations are spread across multiple labels for use and to be ‘gutted’ after falling victim to the ‘twisted’ contract presented by local production company or some want to be ‘slick’ producer.

 

After enduring any of the following, it should be clear that it is not as simple for some to just accept your whimsical response or advice because of the underlying factors.

 

‘Don’t Let Them Steal your Dream’

Recap
I personally have written many articles on the business of music that details some of the many reasons why some songwriters are not successful. I would like to encourage you to read up on what’s really going on before you minimize others plight.

 

In my articles, I provide actual steps that can be taken in order to avoid pitfalls and I provide information to assist in preventing victims.

 

CONFLICT OF INTEREST – How does it affect your Music Career?

http://musicbizadirtygame.blogspot.com/2014/10/conflict-of-interest-how-does-it-affect.html

 

Is Age a Factor in the Music Business?

http://musicbizadirtygame.blogspot.com/2014/10/is-age-factor-in-music-business-uncut.html

 

Is College a Cure-All for a Career in Music?

http://musicbizadirtygame.blogspot.com/2014/10/is-college-cure-all-for-career-in-music.html

 

What’s In Your Contract?

http://musicbizadirtygame.blogspot.com/2014/10/whats-in-your-contract-there-should-be.html

 

I feel that these Articles and books differ because it doesn’t just give you words from one person’s viewpoint, it provides step by step documentation proving how the artist works are stolen and how they are able to continue stealing lives.

 

These books utilizes contracts with major music publisher, copyrights, court records and more to demonstrate tactics used to steal, oppress and destroy lives.

 

Unfortunately, it’s the people that hide that truth about the music industry who are the reasons why there are so many victims because you assist in maintaining the lies.

 

Comic Strips

http://musicbizadirtygame.blogspot.com/2014/10/office-politics-meets-technology.html

 

If my products were not in conflict with a billion  dollar industry would their be this much  

opposition? Click Here 

 

Does this seem like just some disgruntled artist that’s mad about some songs….

This so-called Blackballing from the music industry is preventing fair trade and interfering with fair trade practices…

The lies of industry personnel is affecting life outside of being in the music business!

Created and written by Tiwanda ‘Ne Ne’ Lovelace, 

Author & Founder of SWP, LLC – (click here ->): BIO

Unfair Competition & Trade Practices

Please pay close attention to the small print because the formatting keeps adjusting for unknown reasons or please visit:
Seven West Productions Presents…
Copyright © 2013 Created and Written by Tiwanda ‘Ne Ne’ Lovelace
All rights reserved. No part of this blog or books may be reproduced in any form or by electronic or mechanical means, including information storage or retrieval system, without permission in writing from the publisher, except by a reviewer who may quote brief passages.
 
Sunday, Updated November 30, 2014 – Written by Tiwanda ‘Ne Ne’ Lovelace
 

Unfair Competition & Trade Practices  

Extra Clippings and Inserts:

If my products were not in conflict with a billion dollar industry would their be this much opposition?
Does this seem like just some disgruntled artist that’s mad about some songs….This so-called Blackballing from the music industry is preventing fair trade and interfering with fair trade practices…The lies of industry personnel is affecting life outside of being in the music business!

While promoting and marketing the following titles, Seven West Productions, LLC has faced multiple acts that can easily be described as Unfair Trade Practices and Unfair Competition.

These Titles shown below, shed light on the darkest parts of the music business AND the ‘system’ that uses and/or allows this industry to operate with impunity!

MUSIC BUSINESS: IT’S A DIRTY GAME!

 
 

When an entity interferes or when too many instances of convenient tampering or editing of websites and blogs sites, deliberately interfering with a competitors business interest by blocking content and/or impeding a competitors sales can at the least contribute to Unfair Trade Practices among the many other criminal and/or questionable activities.

The REAL problem occurs when in spite of having documented evidence of these acts and much more, 
 
Whether you receive an opportunity to seek justice as an individual or a small company, you can be denied the opportunity to seek justice or the ability to even obtain legal representation!
 
Enforcement of laws are based on who you are and depends on who is the opposing party or depriving entity!
 
“I just wanted to write and be paid for my work…Along the way I was met with extreme
opposition and I have faced many obstacles. I wanted to share some of them with
those who would like to know the truth behind the lies and tactics.”  – Tiwanda Lovelace


Google Tactics: 

WHAT DON’T
THEY WANT YOU TO KNOW?

The other websites had the same upload but they
had it posted correctly…

WHY THE
GAMES? HIDING WHAT?

Google Tactics

Google
Search shows my book for $0.99 but of course this is not correct. Amazon
has the correct price $19.99 but Google displayed this search results. Yes, I
have asked them to remove listing repeatedly.
Finally, I
was able to have
 MusicBusiness: It’s a Dirty Game! removed from
their Google Books and Google Play websites.

Google Images Search for:  Music Business: It’s a Dirty Game!

Now Available at http://shop7westpublishing.com/


Google Image’s Search under ‘Music Business: It’s a Dirty Game’ shows images taken from my book and then immediately list this idiot on the commode, counting money…and…a penny listed a little ways down…’I wonder why that is?’
 
Google Books also displayed various pages from my book
out of sequence and out of context for a preview.
 
 
If you see $ 0.99 and then once you select page
the price shows $19.99 this could discourage interest. Book was not listed with
correct title.




Google+ / Google Plus

This ‘Post’ page show perfectly when you
click on tab…
 
 

However, when I
randomly checked the ‘About’ for Ne Ne Lovelace –
https://plus.google.com/+NeNeLovelace/about
did not list the information that was provided or is sporadically made
available to readers as shown below:
 
 

  
There is no
information shown on this page for no apparent reason, which clearly indicates
an error on the technical side of my
Google +
While
sending Feedback or Request for Fix…
 
 

Suddenly, now my ‘About’ page displays
correctly (for now)!
The ‘About’ page provides background events and the Author’s and Seven West Productions, LLC’s BIO!


 

If my products were not in conflict with a billion dollar industry would their be this much opposition? 
 

Does this seem like just some disgruntled artist that’s mad about some songs….This so-called Blackballing from the music industry is preventing fair trade and interfering with fair trade practices…

FacebookTactics

I purchased a couple Ads’ from Facebook and this is a copy of the Ads tracking where they stopped all activity at $2.11.

 

My very first Ad went well; I reached over
44,000 hits per my page manager but someone interfered with 2nd Ad.
I wonder why…






I assure you this was never a game but this was a revenge plot from the start! Read Chapters 1-6 of Music Business: It’s a Dirty Game! provided below!

Amazon and eBay, My Rivals?

Why would eBay and Amazon
have mysterious seller offer my listing for less than the authorized price? I
understand competition but why is there no information on seller?

Notice: Top Rated Plus & Seller: buy (2589127
with shooting star) is listed first, and then my listing is below…


This is not my (Seven West Productions) Ad and it
should be $19.99.
My (Seven West Productions) listing is second.
Note: My
photo was used by Seller: buy (2589127 with shooting star).

These are not coincidences…but deliberate! Find out
why by reading Chapters 1-6 below!
 

Amazon/CreatespaceIssue

Meanwhile, I am marketing and promoting this book and
sending my customers to Amazon/Createspace but they offer it for less because
Amazon was selling same book @ $17.01, not the agreed 19.99 through Createspace.

 

No Sales? I know people who purchased on Amazon!

This is not my listing above-5new $16.00 –

My previous
Correct Seller information with eBay
100% Positive feedback
Amazon is clearly selling at different rate and $0.00
sales have been reported even though I know that friends/associates have
purchased.

This is my listing below showing the agreed Createspace
/Amazon price of $19.99…which coincidentally is listed on page #144, page 12
under Music.


Now Available at http://shop7westpublishing.com/

Createspace/AmazonTitle Listings

MUSIC BUSINESS: IT’S A DIRTY GAME
Title
ID:
 4184590
ISBN-13: 978-0578119465   
ISBN
0578119463 SOFTCOVER, SEVEN WEST PRODUCTIONS  

ISBN
0578119463 BOOKNACKRH VIA  
AMAZON.COM US $22.04
ISBN
0578119463 AMAZON US
(ships w/i 24hrs) $23.98
ISBN
0578119463  TextbooksRus US EDITION $25.14
ISBN
0578119463 THE BOOK DEPOSITORY Ltd VIA 
AMAZONCO.UK  $27.04
ISBN
0578119463  
AMAZONCO.UK $30.72
ISBN
0578119463 THE BOOK DEPOSITORY UK VIA 
AMAZON.FR FRANCE $32.85
ISBN
0578119463 
AMAZON.FR FRANC $34.13
ISBN
0578119463 THE BOOK DEPOSITORY UK VIA 
AMAZON.DE GERMANY $37.76
ISBN
0578119463  
AMAZON.DE GERMANY $39.18
ISBN 0578119463  SPINEYS
VIA 
AMAZONCO.UK $44.60
I spend
hours, days and weeks promoting my book; sending my customers to eBay &
Amazon links for my $19.99 Music Business: It’s a Dirty Game and find that my
efforts are undermined.
I hope that
you have enjoyed reading the Chapters 1 – 6 that I have provided for preview.
I am
fighting for my life and I shouldn’t have had to compete with Amazon and/or
eBay with my own product when using their online service!
I have had
three websites but each time I am faced with unexplained changes to my websites
or purchase links being forwarded to other non-related sites.
Recently, I
have discovered that some of my copies sent as attachments in emails were never
received so if you have received a copy then it was through great lengths.
I have put
everything into fighting this injustice and I could use some support. It has
been a difficult journey but this form of slavery must stop because I am not
going to accept this without a fight. There is no valid reason, justification
or excuse to deny rights…
This is really a Dirty Game!

For more supporting documentation, please visit:


Unfair and Unnecessary Opposition

 
NEW! Updated November 30, 2014
 
Amazon shows book for sell and active under 7westpublishing seller account but search shows not available or temporarily out of stock.
 
  
Amazon search for Music Business It’s a Dirty Game AND ISBN 978-0-98962253-0 
 
but results say that this title is out of stock and/or unavailable…
 
This is unfair trade practices if my seller account says that it is for sell and active but not showing under search!
Amazon search shows book but says unavailable or out of stock but my seller account show active:
 
 


Dunn & Bradstreet 
If my products were not in conflict with a billion dollar industry would their be this much opposition? 

Does this seem like just some disgruntled artist that’s mad about some songs….This so-called Blackballing from the music industry is preventing fair trade and interfering with fair trade practices…
Dun & Bradstreet
I appreciate the phone call but I can assure you that there is no exaggeration
and that there is a serious problem with the way that this account and
information is being handled. I only have one log-on and one password for this
website but the wrong website is listed when not logged in
When I, as a small business owner updates and verifies company information, it
should remain and reflect the proper information; especially when you are
selling a portal or service that is supposed to maintain information to help
build credit and business.Please review the numerous emails and screenshots before you make the decision
to minimize my concerns. In addition to showing unverified when I spent
numerous hours entering, updating and verifying all of my company’s information.
I entered URL’s, social media links, logos and videos; however, the urls are
not forwarding correctly. My social media links are producing error messages,
etc…(as shown on screenshots).

I
have attached copies of print-screens and pdf’s to explain the situation that I
have been attempting to resolve.
The following png. file shows what I see when logged in  but this is not
what is displayed.It is clear that there is some technological manipulations and major concerns
on behalf of your I.T. departments.

When displaying my company’s information, there is no question that there is a
problem that is more than just verification issue and therefore I have not
received the service that was paid for.  Any small business in this
position would require proper resolution and explanation.

I
have put many hours and too much time into explaining and attempting to resolve
this issue so I hope that you now understand my position.
I hope that we can resolve this matter but again until it is resolved, I stand
by my request for a full refund of all payments made for this service. I ask
that you consider taking the same measures that you would take when addressing
any other business where your company is at fault.
 
Sincerely,Tiwanda Lovelace
 
 
When logged in, the correct website is shown but when not logged on or public  view provides different website and other info…
 
 
On the same evening, I received the following messages:
 
 
First search results show:
 
NOTE: A few hours later and another search does not show the same information. Suddenly, your system shows that my company cannot be found.
Email confirms verified…
On September 20, 2014 this screenshot was sent with an email to notify Dun & Bradstreet Credibility Corp that the package that I purchased was not reflecting on my account.
Links for Social Media unavailable even verified and updated…
 
I only have one log-on and one password for this website but the wrong website is listed when not logged in , company name doesn’t show LLC..
The same date as shown above but when not 
logged in it shows the following…
Links for Social Media unavailable even verified and updated…
Twitter URL not forwarding
Worldpay
 
Worldpay – SWP, LLC requested a direct
merchant/gateway set-up without using a third party. 
After 2) two months and
(5) five attempts to set up a merchant/gateway account for Seven West
Productions. Worldpay reps and manager states that in order to use Worldpay direct
without using a third party, your company must sell a large dollar amount..
They incorrectly opened up (5) five merchant/gateway accounts and
one rep told me that I 
had to take the set-up that she was giving me.
Each time they opened an account incorrectly, I requested immediate closure.
Even after requesting that their reps. to stop sending me DocuSign
docs, they continued as if intended to harass.
Their manager confirmed that all accounts were closed and that
there would be no fees since they were not able to open SWP, LLC a direct
merchant/gateway.
 
One of these incorrectly set-up accounts
that was closed was then sent to a third party collection agency within 1-2
weeks from account closure. 
There was no justification for Worldpay to forward any bill to a
(3) third-party collection agency against SWP, LLC and my company had not been
established (30) days yet. 
So instead of being able to focus on other important details of
conducting business, I was forced to contact both – Worldpay manager and
the (3) third-party collection agency regarding a bill sent to collections
on my two week old established LLC.
 
INITIAL CONTACT WITH WORLDPAY
 
Even after being advised that SWP, LLC would not be charged for incorrectly set-up accounts and that fees would be waived…Bills that should have never been charged but were sent from Worldpay to (2) separate 3rd party collection agencies.
 
Recently, I received another bill:
If my products were not in conflict with a billion dollar industry would their be this much opposition? 

Does this seem like just some disgruntled artist that’s mad about some songs….This so-called Blackballing from the music industry is preventing fair trade and interfering with fair trade practices…

 
 
For more supporting documentation, click the following links:
 
 
or
eBooks – Available in English, Spanish and French at:

If my products were not in conflict with a billion dollar industry would their be this much opposition? 


Does this seem like just some disgruntled artist that’s mad about some songs….This so-called Blackballing from the music industry is preventing fair trade and interfering with fair trade practices…

Copyright © 2013 Seven West Productions

P.O. Box 400001, Las Vegas, NV 89139 Ph. (877) 885-2944
Created and Written by Tiwanda ‘Ne Ne’ Lovelace
All rights reserved. 
 
No part of this blog or books may be reproduced in any form or by electronic or mechanical means, including information storage or retrieval system, without permission in writing from the publisher, except by a reviewer who may quote brief passages.

About Us: SEVEN WEST PRODUCTIONS, LLC

  

Created and Written by Tiwanda ‘Ne Ne’ Lovelace 

Bio Email Website | Twitter | YouTube | Online Store

E.O.A.A. Weekly News Article: Friday, January 16, 2015 
Next Article will post – 01-16-2015!

All rights reserved. No part of this blog or books may be reproduced in any form or by electronic or mechanical means, including information storage or retrieval system, without permission in writing from the publisher, except by a reviewer who may quote brief passages.

About Us:

Who we are?

Seven West Productions, LLC is a publishing company that is dedicated to educating our aspiring artist, writers and producers regarding the business of music through the use of books, comic strips, framed poetry and blogs. 

 
Why we sell the items you sell?         

SWP has compiled a set of publications which provides detailed information regarding methods and tactics used by the Music Business. These thought driven, life changing publications and other products are not easily accessible through mainstream publishers solely due to the information provided within conflicts with the goals of a billion dollar industry.

Tiwanda ‘Ne Ne’ Lovelace of Seven West Productions, was like many other unknown artists who were used and then discarded by the music industry. Lovelace was contracted with Zomba, a major music publishing company for Jive Records – now BMG-Zomba publishing company. It was then placed within Universal Music Publishing Group, becoming the world’s largest music publishing business.

 

Instead of administering her publishing by securing copyrights and ensuring that her works were protected, the major publishing company neglected all their contractual obligations. However, what they didn’t count on was that she had secured copyrights and maintained all related documentation.

After Zomba’s representatives failed attempts at having her sign management contracts with their Producers, she was provided with music tracks and encouraged to build her own team. Lovelace submitting and discussed 40+ songs, but it became clear that there was no intention of honoring that Agreement.

Other than the small amount received for the initial song placement, she never received a dime but she was forced to listen to her materials on the radio that were ‘gutted.’ However, she did received threats and became victims of acts of violence and civil rights violations.

Having been in the music industry since 1991, our company has more than 21 years of experience. She is now determined to help others before they sign a contract with a major company. It is her goal to ensure that every aspiring artist is fully equipped before they sign.

Unlike most authors, Lovelace will not only tell you exactly how it is but will provide documented proof. She provides uncut truth with a direct approach. These titles are informational and not for entertainment purposes.

Emotionally charged, her titles clearly express the pain and anger of being betrayed, sacrificed and scorned. Her story is of an unknown artist that that was subjected to continued acts of violence and oppression.

Our titles are presented through this artist/writer’s eyes while experiencing multiple tragedies and events. Inside, are the actual documentation and files used to demonstrate some of the tactics used to steal artist lives, deny rights and enslave the artist. These title are compiled using personal journals, public records, contracts, copyrights and other documentation which demonstrates how it is allowed to continue.

We hope that these books reached those who are unaware of the fact that even though the world is changing; it doesn’t change for all. 

Although some have been treated horribly by many, we should still treat people with courtesy and decency. We believe that this is where real change can start. 

  

We also recognized that well-informed people, make better decisions so by fully equipping our youth with knowledge obtained from others experiences, we can prevent them from being victimized by the business of music. 

 

Where you are located?

We are currently located in Las Vegas, NV  – U.S A

 

When did we start this business?

Although legally established in February 2013, Seven West Productions was originally created out of Detroit Michigan in April, 1995 as a music production company under a Co-Publishing agreement with Zomba Music Group/Jive Records.  

Currently, Seven West Productions is a publishing company designed to provide a voice to those who would otherwise be unable to express themselves. SWP released it’s first publication in January 2012 and has continued to add to our collection.

 

Who are the people on your team?

SWP is a very small group of people who support the companies goals and aspirations.

Tiwanda ‘Ne Ne’ Lovelace’s, Author & Founder of SWP, LLC – (click here ->): BIO

 

 What are our plans for the Future?

SWP, LLC  has plans to incorporate in 2015 in an effort to expand our reach and involve others who share our vision. 

We are currently seeking investors; both, domestic and international. 

We are seeking business partners who would like to participant in a positive and profitable venture!

 



Interested in Investing?

Here’s your chance to get involved! For your promotional   copies for review and a copy of SWP, LLC’s Business Plan.
Icons by DryIcons

Other Opportunities Available:

Become a Re-seller with our 

Platinum 30/40/50 Program! 

SWP, LLC has developed this program in order to offer multiple groups, organizations or other companies an opportunity to raise funds and to create awareness while educating our aspiring artist, writers and producers!

These entities can receive up to a 30% – 50% discount on publications/products designed and intended to prepare others for a future career in the music business.

These publications/products may be used and sold by any authorized re-seller for a profit at select events and/or fundraisers upon completed agreement.  For details and pricing, please refer to the SWP, LLC Platinum Member Agreement.

For more information Email: partner@sevenwestproductions.com

or You may view the entire presentation below or at: Click here.                                           


You may download a PDF of this Agreement at: 

http://www.mediafire.com/view/7u2q9q8woi9a074/SWP_Platinum_Member_Agreement.pdf


Please provide your email address, contact name and select the Program that you wish to utilize.

SHOP NOW: http://shop7westpublishing.com/  or http://shop.7westpublishing.com/

Contact information: 

Seven West Productions

P. O. Box 400001

Las Vegas, NV 89139

PH: (702) 273-0755

Email: tiwanda@7westpublishing.com

sevenwestproductions@gmail.com

LET’S CONNECT!!!

Social links:

‘You can’t do it alone…’

All rights reserved. No part of this blog or books may be reproduced in any form or by electronic or mechanical means, including information storage or retrieval system, without permission in writing from the publisher, except by a reviewer who may quote brief passages.
E.O.A.A. Weekly News Article: Friday, January 9, 2015
 If you experience any technical and/or formatting issues with this blog, please visit –

Everyone says, ‘you can’t do it alone…’  

Well they are correct to a degree but this does not mean that you just have to accept any abuse because you may not be wealthy or popular!

One person can be victimized, bullied and ganged up on but by working together to educate our aspiring artist, writers and producers…WE can make a difference!

Why not provide real help and work towards preventing future harm by fully equipping our youth with factual evidence, documentation that shed direct light on the practices that have destroyed many lives?

Why not provide real help and work towards preventing future harm by fully equipping our youth by shedding direct light on the practices that have destroyed many lives while using factual evidence, documentation?


This program can also be used by your group/organization to generate additional funds for future projects directed towards educating our young adults who are aspiring artist.

They can be used for Fund Raisers and other events. Members may offer this product at any price under their discretion after purchasing under this agreement.

 

Program information found below:

 

Platinum 30/40/50 Program
 
Member/Sponsorship Proposal
January 2015
Dear Business Owner and/or Organization Representative,
Seven West Productions, LLC is a publishing company that recognizes that almost everyone
knows someone who is an aspiring artist, musician, producer or dancer. We also recognized that well-informed people, make better decisions so by fully equipping our youth with knowledge obtained from others experiences, we can prevent them from being victimize; therefore, have less prodigal sons and
daughters.
Seven West Productions, LLC has compiled a set of publications which demonstrate firsthand what traps await them by providing detailed information regarding methods and tactics used. There are no other books that will provide extensive knowledge regarding their process.
·
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Lovelace, Founder
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Children and young adults are 
facing many issues and in most cases they do not always listen to their parents for many different reasons. Sometimes it requires an outside source to get their attention. In this fast paced world, it may require a more uncut direct approach.

Qualifications- Resume Highlights:
Tiwanda Lovelace has 15+ years of customer service experience in call center and supervision
experience combined. Having been in the music industry since 1991, our company has more than 21 years of experience.
·        Possess excellent coaching, motivational and
leadership skills.
·
Set up performance goals to meet targets,
efficiency levels and quality assurance standards.
·
Experience in public service and in developing
many projects to support awareness.
·
Lovelace spent many years preparing speeches and
communication with large groups.
Bio Highlights:
Tiwanda ‘Ne Ne’ Lovelace of Seven West Productions, was like many other unknown artists who were used and then discarded by the music industry.
                                       
SWP has compiled a set of publications which provides detailed information regarding methods and tactics used by the Music Business.
These thought driven, life changing publications are not easily accessible through mainstream
publishers solely due to the information provided within conflicts with the goals of a billion dollar industry.
 
Lovelace has created the following publications: 
 
 SEVEN WEST PRODUCTIONS,LLC
Copyright © 2013
 
Publisher: Seven West Productions P.O. Box 400001, Las Vegas, NV 89140
Share this:
 
For more information, please contacts us:
Seven West Productions
 
P. O. Box 400001, Las
Vegas, NV 89140
 
 
Copyright © 2013 Created and Written by Tiwanda ‘Ne Ne’ Lovelace 
 
All rights reserved. No part of this blog or books may be reproduced in any form or by electronic or mechanical means, including information storage or retrieval system, without permission in writing from the publisher, except by a reviewer who may quote brief passages.
 

Music Business: Tricks of the Trade!

E.O.A.A WEEKLYFriday, September 26, 2014, Written by Tiwanda ‘Ne Ne’ Lovelace Bio | Email Website | Twitter | YouTube | Online Store 

“The information in this 
article derived in full and in part from 
Music, Murder and Mayhem – A True Story! 
and Music Business: It’s a Dirty Game!
All copyrights reserved”
Music Business: Tricks of the Trade!

“Understanding the Game!’

In my previous Article: 6, “What’s in Your Contract?” I mentioned the importance of
reviewing your contracts and knowing what to look for in your agreement. I feel
the need to provide more information regarding specific parts of your
agreements.
In the beginning of my venture at seeking a career in music, I wish that I would have had someone to share the whole truth about the business with me.  
When you sign a music related or music publishing contract, it should
be ‘a given’ and fully understood that they would want to pursue royalties. 
You would think that they would want to defend your work; especially, when they
are contracted to receive a percentage of your work because you are a part of
their team.
The first thing that comes to mind is that you are protected by this
major music publishing company. You believe that they will fight for you
because they have a stake in your work as well… but in most cases – this is far
from the truth.
You would think that most attorney’s would jump at an opportunity to
represent a plaintiff against copyright infringement; wherein, copyrights were
secured, publishing contracts, proof of mailing, phone records, and recordings
of works which were maintained.
  
I am speaking
to you from personal experience when I tell you exactly how it is done. I can
provide documented proof of any and all accusations regarding the practices of
those in the music business. I am able to demonstrate exactly how the ‘system’
enables and assist with the dehumanization that has been allowed to continue
for decades.
Although
you may already be aware, I signed a 50/50 Co-Publishing contract wherein I was
promised compensation for lyrics and melodies.
Prior to signing with a major music publishing company, I
consulted with two separate entertainment attorneys (One of these lawyers was referred by the Bar Association). 
Remember,
the simple fact that any well-established entertainment attorney that
encourages signing a ‘standard’ contract for low figures, is not looking out for their clients interest.



All entertainment attorney’s know that when
the deal sours, any potential attorney that the artist seeks out for assistance will require a very large
retainer after the damage is done.

There
has to be something unethical about an attorney working against individual artist when that attorney has full knowledge of how the industry operates; yet, they trade favors and artist
like slaves.
I
never received any monies for the numerous works submitted; which were over forty
compilations of lyrics and melodies that miraculously found their way on the
radio and up the charts. 
There
were no management or producer contracts (signed or otherwise that could be used) to justify refusing payments but this
co-publishing contract was not honored but used to take and avoid paying
royalties.
Let
me demonstrate how the process really works most of the time.
The
contracts presented will proudly list all of the major labels and their casting
list that are given to you shows popular artist names that they say will be
used to shop your materials.
Below
this article is a copy of an actual contract portion listing most of the major
labels and record companies:
 

 
These
representatives of Zomba/Jive/BMG used the contract to solicit musical works
from its own writers and afterwards parts of works are taken (or materials
gutted).
After
these gutted works begin to be played in constant rotation, then in their
defense of copyright infringements, they used this same contract to state that
they can choose not to pursue your infringements.
Although
the courts never even allowed the case to be presented (unjustly, dismissed
without valid cause), the attorney for the major music publishing company
attempted to utilize that ‘standard’ contract in their defense. SEE BELOW:

(Below is an actual portion of a major music
publishing company’s contract 
that is used as a defense against allegations of copyrights infringements):

 
 

The
kicker is, in the beginning they exaggerate their interest in offering you an
opportunity for recording artist deal while their true intentions and purpose is that they are actually ‘working’ you for materials after
giving a little up-front compensation.
Later,
they will state in their defense that ‘you refused to pursue claims’. 



Pursue
claims…with what?

They
offer a very small amount for initial investment with full knowledge that after
they steal your material, any attorney that is in a position to help would require an enormous amount of
money for a retainer in order to represent you. 


THIS HAS BEEN AN ONGOING PROCESS FOR GENERATIONS 
AND NO ONE HAS STOPPED THIS UNETHICAL BEHAVIOR!
 
EVEN AFTER MULTIPLE LIVES ARE STOLEN 
AND LIVES LOST DUE TO THIS TRICKERY! 
Other
than the few dollars for the initial song, I never received a dime but I was
forced to listen to my materials on the radio that were ‘gutted.’ However, I
did received threats and became victims of acts of violence and civil rights
violations. I can only imagine what Sara Baartman had to endure.
The
entire ‘system’ encourages the use of the music business as a tool for the
influential and powerful to continue to conduct its ‘business’ of stealing
lives. I can tell you that this music ‘game’ will leave you starving, bleeding
on the side of the road and fighting everyone – literally. 



When I researched the business, there were no books that told the ugly truth. There are no books that tell you that your contracts and copyrights don’t mean anything to a system geared to protect the wealthy. There are no books that tell you that you have no rights when you don’t have tens of thousands of dollars for a lawyer’s retainer.


There
will be so many lies and everyone will believe everything said about you
without question and you will be unable to maintain employment or attempt to
earn any type of living.
It is
important that people understand the ‘game’ and how it ultimately affects
others.
While
contracted with Zomba, I submitted over 40 song lyrics and melodies that were
discussed in detail with their representatives and some listed directly in the
contract.
They
cut, chop and shop your work. They take all of the profits and then tell you
that they can choose NOT to pursue your copyright infringements when they
themselves are most likely the culprits.
What
is truly sad is that these people don’t have to run the business this way but
they choose to conduct business in this manner. It would be more profitable to
be decent but that would be too much like right.
Conveniently,
they can use this contract to basically take your work or even allow your works
to be used without pursuing your interest.
Again,
I am speaking to you from personal experience when I tell you exactly how it is
done. In my experience, I never had the chance to go before the Judge. He
completely disregarded my copyrights and ignored my request for counsel.
Don’t
forget about the ‘built-in Conflict of Interest concern; in that, no
entertainment attorney is going to fight for you against major music labels if
it means risking their opportunity for future business.
I
filed a lawsuit against BMI, Zomba and Jive because of their lack of response
to my request as to how BMG, MCA, EMI, WEA, Polygram and Jive have released
songs which blatantly infringe upon my copyrights. I sent these lyrics to Zomba
and discussed these works in detail.
Ultimately,
in spite of having copyrights secured by myself, copies of materials, copies of
receipts for overnight mailings, and other correspondences submitted to Zomba
representatives, it did not matter. 
My
revised complaint complied completely with Fed. Rules of Civil Procedure but
the courts responded as if they did not receive this revised copy. Review the Proof yourself at: Breaking News 



Review the Proof yourself at: Breaking News ! (click here or see below – Breaking News: The Business of Music: Operating wi…)

I
provided copies of copyrights. I provided proof of certified mailings and other
documents to support that I required courts assistance.
Although
I requested assistance from the DOJ and the courts due to violence, I was
denied. The acts of violence bestowed upon my family, friend and others were
ignored and all of my supporting documents; such as, copyrights, certified mail
receipt, etc… were referred to as miscellaneous papers.
The
courts dismissed my case as frivolous preventing me an opportunity to have my
case heard.
Judge
Bernard A. Friedman cited that my complaint was bizarre, irrational and indeed
delusional. Judge Friedman continues to state that the complaint is fanciful
and delusional. I didn’t know that copyrights and certified mail receipts were
miscellaneous papers.
 ‘‘It
is easier to ignore facts and allow corruption to continue by claiming that my
complaint was bizarre, irrational and indeed delusional but I didn’t imagine
bullet holes, family members assaulted, friend and house shot up, my songs
‘gutted’ and played on the radio…
Clearly,
I have been denied my rights and they continue to deprive others for decades
using the methods listed above.
The
fact that these agency and groups that are neglecting to acknowledge blatant
wrongs; they’re inaction whether direct or indirect, inadvertently supports
this injustice. Promoting deprivation of rights when an obvious injustice is
ignored.
When
any other corporation is found to be in violation of someone’s rights or
involved in any unethical behavior, they are held liable.
How
is it that an industry can deprive rights and deny compensation from their
employees (artist/producers) without being held accountable for decades?
These
major record labels BMG, MCA, PolyGram, EMI, the Sony Group or the WEA Group are
listed in the contract and in the casting sheets. They are sent out to their
roster of writers in order to shop with these multiple label’s Artist. After
placement of ‘gutted’ works, they decide who they choose to pay or who not to.
These
‘entities’ mentioned in defendant’s response were on Zomba’s casting list and
in contract showing that not only did Zomba work with them to place songs;
shortly after contract their name changed to Zomba/BMG. 
Zomba’s
defense attorney stated in their response regarding songs that were in question
that ‘allegations were unclear.’ However; prior to filing suit against them I
received a letter stating that they were investigating my claims.
In
fact, Zomba denied even receiving or having any works in spite of my return receipts
and although some of the songs mentioned in copyright infringements were
listed, were actually referenced and within my co-publishing agreement.
‘The
Recipe’ has been mastered and fine-tuned to make this dehumanization of mankind
an acceptable form of modern day slavery.
The situation is presented to the public in many different ways to
justify and encourage further abuse.
When
reviewing and comparing the allegations of copyright infringements, civil
rights violations, etc… listed in Lovelace vs. Zomba AND Lovelace vs. Dekalb
County Police it is apparent that they work together in a combined effort to
monopolize.
I say
this because when attempting to seek resolution you are faced with the
following:
1.
Being denied representation because of either
a ‘conflict of interest’ issue due to the industry being controlled. Events are
creating to discourage any assistance
2.
The fact that no entertainment attorney wants to slug it out on your
behalf for fear of preventing further or future business.
3.
 Most attorneys
require a very large retainer that the artist usually doesn’t have. The lack of
funds is usually because the initial attorney had advised this artist that the
contract with low figures were standard
in the business encouraging acceptance.  
4.
Under false pretense, promises and
manipulation, the publishing or record take your materials/works.  The publishing or record company contract
will then state that your contract says that we can choose not to pursue your claims.
5.
You are faced with major opposition from
multiple sources. I have had multiple major companies violate the Federal Trade
Commission Fair Trade Act and Competition Laws.
There
are many who have assisted with hindering my efforts in promoting and marketing
my Titles by creating fake sellers, re-routed links to other products, listed
titles in the wrong categories and listed incorrect prices.
These
other companies are and were circumventing justice when I was promoting my
books that were exposing the blatant tactics and methods subjected.
Let’s
just say that I no longer wonder why people would easily associate the word
‘slave’ with the music business and the prison system. The courts only seem to
recognize the goals of the major corporations.
In
short the ‘individual’ does not have rights! Anyone can be presented as
undeserving and be denied justice so be aware when you sign any contract!
This
may not be everyone’s experience but I can tell you that none of them receives
ALL of their compensation, if any.
Remember,
there is no such thing as half-way crooks! If any of them can get away with not
paying you, they will (even if they have to create reasons why they shouldn’t).
Everything
in these Articles and Books are based on fact and can be substantiated with
documentation from public record.
I
only wish that I had someone take the time to share even a tiny bit of the
information with me prior to my decision to pursue a career in the music
industry.
Those
rights that you believe that you have and are counting own having are simply
non-existent.
Your
copyrights are useless because the courts that are supposed to enforce the laws
will bend to the will of the rich and powerful.
This
reminds me of one particular instance where a contract was used to justify
blatant injustice in the case of Sara Baartman.
The
Sara Baartman’s of today are still put in positions to be killed, never
compensated, put on display, lied on and manipulated against, left to die, to
be raped and dehumanized.
My
previous blog tells of her story and can be found at: 
http://musicbizadirtygame.blogspot.com/2014/06/who-is-sara-baartman.html

Again, there
has to be something unethical about working against individual artists and writers when they have
full knowledge of how the industry operates; yet, they trade favors and artist
like slaves. 



I will discuss in great detail the problem with the entertainment attorney’s and the issue of ‘Conflict of Interest’ in next week’s Article 8: Conflict
of Interest and the Music Business!
– Release date – October 3, 2014!

Everything
in these Articles and Books are based on fact and can be substantiated with
documentation from public record. I only wish that I had someone take the time
to share even a tiny bit of the information with me prior to my decision to
pursue a career in the music industry.
 
Those
rights that you believe that you have and are counting own having are simply
non-existent. Your copyrights are useless because the courts that are supposed
to enforce the laws will bend to the will of the rich and powerful.
AGAIN, THIS HAS BEEN AN ONGOING PROCESS FOR GENERATIONS 
AND NO ONE HAS STOPPED THIS UNETHICAL BEHAVIOR!
 
EVEN AFTER MULTIPLE LIVES ARE STOLEN 
AND LIVES LOST DUE TO THIS TRICKERY!
 
I
didn’t just run out and write a tell-all book. It wasn’t until many years later
that I decided to write my first book on the subject entitled,
Music
Business: It’s a Dirty Game!
 
I
feel that these Articles and books differ because it doesn’t just give you
words from one person’s viewpoint, it provides step by step documentation
proving how the artist works are stolen and how they are able to continue
stealing lives with this modern day form of enslavement. This book uses
contracts with major music publisher, copyrights, court records and more to
demonstrate tactics used to steal, oppress and destroy lives.
My plight is not just about a broken heart, it’s not about greed, and
it’s not about revenge. I don’t have time to be running around blaming and trying to hurt people. I am too busy struggling and trying to live. It’s about obtaining true freedom from oppressors who
have deliberately used lies, money, power and positions to create a form of
enslavement. 
  

Being that Music is affecting so many lives, a part of everyone’s life and that it is in everything from politics to religion…denying individuals their rights is bad business and we should all make music our business to prevent this from continuing to destroy lives!


Learn, don’t get burned!


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Music Business: It’s a Dirty Game!
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