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MUSIC, MURDER AND MAYHEM

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If you have already researched books on the subject of the music business
then you have found that a lot of the books that are written denouncing the
industry are portrayed as fanatical, demonic and are downright comical. 
 
Personally, I am certain that there is a degree of evil involved in the
business and it is possible some individuals who would sell their souls for a
successful career but I didn’t look twice at those titles. 
 
It is almost as if those books are deliberately, readily accessible but the titles
that would truly provide insight are not as easy to find. 

Well, look no further…

MUSIC, MURDER AND MAYHEM

By Tiwanda ‘Ne Ne’ Lovelace
An un-cut non-fiction description of how the music entertainment business
murders its artist and writers quietly behind the scenes.
People always say that the Music Business is a dirty business but they have
no full idea of to what extent. They assume that these artist just sign bad
deals that allow producers and managers to take everything but this is not
always the case.
It is important that people understand the ‘game’ and how it ultimately
affects others. They cut, chop and shop your work. Meanwhile, chaos ensues
when these victimized human beings wreak havoc fighting for these stolen
works and their share of royalties.
Industry people know ‘the game’ and they know how to manipulate
situations so that when you refuse to dehumanize yourself, drop to your
knees and allow them to take everything… they label you as trouble. As with
any business, there is competition and the struggle for power and money.
This book describes how those with money, power, and position use mass
manipulation to discredit, its use of technology to spy, use of threats and
intimidation to isolate.  
 
This is about the struggle of one writer who was blessed with the
opportunity to survive and the will to refuse to settle for less. Realizing what
would be the point of a temporary relief from injustice and unwarranted
cruelty only to ultimately be subjected to the same inhumanity within a few
years. 
Like animals circling its prey, victims are surrounded, stalked, studied and
set-up. Like lambs led to slaughter, you won’t realize the severity of your
situation until you are knee deep in what I commonly refer to as a ‘shit-
storm’ of backstabbing friends, oppressing family members, snaking
strangers and money grubbing manipulators intent on keeping you
subjected and suppressed if they are unable to make a profit.
 
 
eBook Available – January 8, 2014
Printed Copy Available – January 15, 2014

Reserve your copy by submitting an email to  
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given an opportunity to provide a review!

NOT INVISIBLE

biggest mug artwork
NOT INVISIBLE  
EVEN A CHILD CAN SEE THIS INJUSTICE! 
 
I had filed the copyrights listed
below and they were processed just
months prior to illegally obtained
warrant was issued.
          1.      PAu001720136 / January 7, 1993     “Collection
I-Tiwanda.” Lovelace, Tiwanda, 1967-
 
   18 SONG LYRICS AND MELODIES, 1 RAP, AND 2 POEMS
 
2.      PAu001721382 / March 4, 1993       “Collection
II-Tiwanda.” Lovelace, NeNe
 
6 SONG LYRICS AND MELODIES, 
 
Although Lovelace was reporting to Michigan Probation AS DIRECTED by Courts, there were no efforts were made to contact
and/or provide Notice of Hearing.  

That small print says: 

“The undersigned officer hereby certifies that a thorough and diligent search for the probationer listed in this warrant and affidavit has been made at but not limited to places of abode, known places of frequencies, and others and that His/Her whereabouts are unknown an cannot be located…” 



And this warrant was signed May 19, 1993 expires July 31, 1997

Warrant Used to Take Public Housing in Nevada
Why did this
police agency state that the warrants were valid in 2005 but unable to execute
due to budgetary constraints but when I lived in Georgia 2003/2004 there were
no efforts to arrest? I believe the warrant was serving its purpose, to inflict
damage, hinder and harm.
 
Michigan Inter-State Case Report
dated 08-2-1993
Although Lovelace was reporting to
Michigan Probation,
no efforts were made to contact and/or
provide notice. I was still reporting
(3) three months, unaware that the warrant
was issued on May 19, 1993. I was
just told that I no longer was to report to
Michigan Probation office. I
obtained this letter well after.
Michigan Inter-State Case Report
 
 
In all that

time, I never mention the fact that my
father was convicted of murdering a
police officer. I did not want to think
that people would hold that against
me or be this sinister. I did not want
to even go there besides I still had
faith in the legal system.
I filed the lawsuit in Forma Pauperis
After many years of attempting to resolve
this issue by submitting written request for correction, I filed a lawsuit in
Dekalb County Georgia against the Dekalb County Police and Dekalb County
Probation Office due to an illegally obtained warrant for my arrest, modification
of my record; which led to revocation of my First Offenders Act…without notice of hearing or opportunity
for rebuttal since record shows that I was reporting as directed by courts.
 
I filed my Complaint against both Defendants, Dekalb County Police and Dekalb County Probation Office
 
This is only the first few pages and a copy of the initial
attachments.
 

The Judge had determined that under


Federal Law that there were stipulations with

regards to being able to file suit against the police

departments and ruled that I could proceed


with lawsuit.
 

Below is the Judges a partial
summary of the
case, frivolity determination, Order
for Clerk’s Office to Include Dekalb
County Police Dept. as Defendants

In addition to these
documents proving service,
Pacer Court records system also confirms processed…See Below:
Pacer Court records No.
7 – Order instructs Clerk’s Office to list Dekalb county Police
to complaint and to forward Plaintiff USM285 forms for completion.
Pacer Court records No.
8 – Plaintiff’s  USM285 forms and Summons
were completed and returned.
Pacer Court records No. 9 – Summons was issued for Defendants dekalb County
Police.
Yet, Defendants denied
being served.  
Pacer Court records No.
10 – Request for Waiver of Summons.

The dates and Court time-stamps confirm that Defendants were served properly but this was ignored. 

The Defendants denied receiving Summons 
The summons that they say that they never received!
 
Can you explain why does this form below
have her signature?
Yet, it is not included in their exhibits that
claim that they received.
Justice was not

served…but the Defendants were!
 
If I had missed a court deadline for
my response, the courts would have made
ruling against me. Instead, the courts
ignored Pacer court records and my Request
for Entry of Default; allowing the
injustice to continue. The Judges did not
address that problem with multiple
request for Correction regarding the Clerk’s
Office interfering with filings
due to:
1.    Clerk EXCLUDING A DEFENDANT clearly
     listed on Complaint.
2.    Clerk not providing Judge with
     correct/updated filings.
3.    Clerk not mailing copies to Defendants,
     although extra copies were

provided for service. While certain filings
     were mailed, others were neglected at
     their discretion.
4.    Clerks deliberately delayed forwarding
     motions to the Judges.
EVERYTHING  was processed and Defendants – Dekalb County
Police did not respond in the time allotted by procedure as directed by courts.
Suddenly and without

cause the case was reassigned to a
different Judge after Plaintiff (Lovelace)
filed for Motion to Request Entry of
Default…
Months later…
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
There is no excuse for blatantly circumventing justice.
 
The initial Judge ruled that the police
could be an entity that could be sued… 
 
 
 
 
 
 
 
 
 
 
 
 
 

















Every filing was submitted in
triplicate and I maintained certified
mailer receipts for the ones that I
mailed. Courts records prove that
they were served.

To Be Continued…


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To Be Continued…

Image

I tried to be civil but they told me to just die, 

I tried to appeal to their human side 

but they have none, 

 

I tried the court’s but they got to them, 

They used their position of power 

and minions for bad, 

 

They used friends and family to break your heart wearing down your resistance, 

They tried to pressure you to take your own life 

but I refused, 

 

I wrote a book about it which includes proof of deliberate violations but they threatened.

 

There is no other way but to put it out there EVERYWHERE. 

 http://7westpublishing.com/

http://7westpublishing.com

They made the choice to engage in stealing lives but they don’t like the spotlight on them and their inhumane activities but they can publicly exploit ANYONE and then cause unimaginable hardships on individuals while portraying victims as sinister or perpetrators of heinous acts.

TO BE CONTINUED… 

Contact: Tiwanda Lovelace

P. O. Box 400001

Las Vegas, NV 89140

Phone: (877) 885-2944

E-Mail: tiwanda@7westpublishing.com

Website: http://7westpublishing.com/

Got to Love It -Freedom of the Press and Freedom of Speech!

These people never asked permission and were never coerced but willingly assisted in the activity to defraud!

 I submitted list of songs, copyright copies, and contracts request for assistance; however, I received my materials back from all the attorneys, groups, and agency, along with letters expressing no interest in representing me. 

On May 20, 1996, I filed a lawsuit against BMI, Zomba and Jive because of their lack of response to my request as

to how BMG, MCA, EMI, WEA, Polygram and Jive have released songs which blatantly infringe upon my copyrights. I sent these lyrics to Zomba.

Meet some of the people who directly took part in defrauding, manipulating and who are responsible for contributing & helping to violate my rights!

Richard Blackstone

(I can tell you from direct personal experience what his skill set was in the late 90’s – hiding & snaking).

(I can tell you from direct personal experience what his skill set was in the late 90’s – hiding & snaking).

“Richard brings many years of experience in music publishing to BMG,” Masuch said.  “Knowing him and his impressive skill set for more than 15 years already…(I can tell you from direct personal experience what his skill set was in the late 90’s – hiding & snaking).

 

Prior to joining WMG, Blackstone was President of Zomba Music Publishing. Originally a transactional attorney, Blackstone joined Zomba in 1989 as Director of Business Affairs.  Recognizing his talents in both business and the arts, he was later promoted to the dual role of Head of Creative and Head of Business Affairs, a position that included oversight of Zomba’s Country Music division located in Nashville. Having spent most of his career at Zomba, Blackstone helped grow the business from a handful of staff to what would become the largest independent music group of it’s time. He ran one of the two primary businesses that comprised those assets, which eventually sold to BMG in 2002. Once BMG acquired Zomba Publishing, Blackstone was made President and was given the additional responsibility of overseeing Brentwood Benson Music Publishing, the leading contemporary Christian music publisher.

(During the 20+ years of torture from the music industry & personnel)

Blackstone has been a highly respected executive in the entertainment industry for nearly 20 years.

In 2005 Blackstone was appointed to the position of Chairman and CEO of Warner/Chappell Music becoming responsible for all aspects of Warner Music Group’s worldwide music-publishing division operating in over 35 countries.

On November 11, 1994, due to the inability to contact Richard Blackstone – Zomba, rep over the phone regarding remaining balance for contract; my husband (at that time) and I had decided that we would go to New York to speak with Blackstone – Zomba, rep in person. Upon our arrival, we did not receive the welcome we were expecting and although we received check, Blackstone – Zomba, rep was unavailable for both days to speak with us.

Once we returned to Michigan, we still received phone calls and correspondents that suggested that they were still interested in working with me and arranged for me to interact and work with their producers and other writers.

 blackstone introduction large

fully executed Zomba contracts

Blackstone sent this list of songs that was included as a part of my contract but they deny any knowledge of later:

 songs listed

Their defense was that ‘they can choose which songs/works or even if they pursue claims of copyrights infringements’ (Especially, when it’s them – the company that was sent each song lyrics and melodies who are/were directly connected to all labels accused of copyright infringements).

 

They wanted to settle for over 40+ songs for $1,000.00)!

 zomba tried to offer 1000 for over 40 works after proof of allegations

NO I DID NOT SIGN THAT MESS!

This was a joke and I was completely insulted and NO, I didn’t sign that mess…I have been fighting EVERYONE SINCE!

 

        Note: Paul Katz was sent a copy of letter regarding advance. I never knew he was affiliated with Zomba, prior to Paul Katz’s name was listed on check as signer.

Blackstone and Dave Renzer were right there playing the games directly so in spite of what you read. I personally experience their deceipt and involvement with the copyright infringements throughout those years. Everyone I spoke with was having a good time playing with my lyrics. Oh they loved them all while I was sending them and then when I started to get back to the money it was attack, deny and the games.

 dave renzer red hair

The private investment firm brings in the former CEO of Universal Music Publishing Group to lead its new music publishing project… 

 Universal Music Publishing Group Chairman and CEO David Renzer announced today (4/26) his plans to exit the company. He has been with the publisher 15 years, starting in 1996 with MCA Music Publishing. Renzer was promoted to his current post in 2004.

Haim Saban, the eponymous firm’s CEO and founder, said in a statement. “And we have great confidence that David, with his vast experience, will help us create an exciting new music publishing company together.” (He can definitely help with the exploitation part of the industry).

 

Renzer spent 15 years as chairman and CEO of Universal Music Publishing Group, where he controlled the operations in 50 of the company’s offices around the world. He oversaw  more than 100 music publishing acquisitions, including Polygram, Rondor, Zomba and one of the industry’s major moves, BMG Music Publishing.

He also supervised Universal’s signing of major artists such as Paul Simon, 50 Cent, Mariah Carey, Justin Bieber and the catalogs of Jimi Hendrix.

Renzer began his career at Zomba Music Publishing, where he remained for a decade.

By 1990, Zomba was worth $225 million with over fifty companies. Contrary to most other record businesses at the time, Zomba spared no time with frills. “The Jive offices were crummy, cardboard desks. They just really did everything on the cheap”, says attorney Gary Stiffelman. The company began to attract more major label attention when EMI attempted to buy the company, but was ultimately turned down.[7][8] This period also saw Ralph Simon leaving Zomba at the start of the decade. Through an unspecified “ethical disagreement”, Calder and Simon ended their relationship of over two decades.[7] Calder bought out Simon’s half of the company and subsequently gained full control of the company.[1] In late 1991, BMG furthered its relationship with Zomba buy purchasing a 25% stake in their music publishing business, allowing them to sub-publish Zomba compositions in foreign markets.[1] BMG continued with a 20% purchase of Zomba’s records division in 1996.[16]

This was a rough time for me. I could feel the treachery. I found out later what happened to the songs. They were all over the radio.

        Note: Paul Katz was sent a copy of letter regarding advance. I never knew he was affiliated with Zomba, prior to Paul Katz’s name was listed on check as signer.

Blackstone and Dave Renzer were right there playing the games directly so in spite of what you read. 

I personally experience their deceit and involvement with the copyright infringements throughout those years. Everyone I spoke with was having a good time playing with my lyrics. Oh they loved them all while I was sending them and then when I started to get back to the money it was quickly turned to attack, deny and the games.

c. Letter sent to Zomba/Jive regarding Betrayal

February 23, 1995 Letter I sent to Zomba regarding blatant betrayal:

First, I addressed her. After she expressed satisfaction with works; suddenly, all the positive words of encouragement and compliments turned to insults. It was smash and grab…

This is prior to all my so-called unmarketable song lyrics and melodies were all over the radio…

Read more: http://www.answers.com/topic/zomba-label-group-1#ixzz2eBOUfNan

Music Business: It’s a dirty Game – Page 152

Almost every song that I had written was passed along for some type of payback or vendetta. For a songwriter to hear their melodies is like recognizing your child cries or your name being called repeated. It reminded me of the story that I had heard about a famous writing team. It was told that one of their girlfriends was actually writing the lyrics but was never given credit or monies. I was told that it wasn’t unheard of to emotionally abuse, reject and cause severe duress to influence suicidal actions. I was told that she killed herself. One can never imagine that pain of being used and discarded; then to top it off tortured and mocked.

If it weren’t for the viciousness of the people, it would be easy for me to believe that the stories told were all lies to distract or influence response that would cause a deadly reaction. I was thrown to the wolves and it was ‘okay’. It was nothing; I was nothing – a Ghost.

In addition, the music wasn’t the only thing used. I couldn’t watch a television program without the ridiculous similarities to my current household topics and concerns. I know I am super sensitive right now so maybe I am tripping (at least that’s what I told myself. There is no chance of this many similarities and topics over this period of time.

It shook me, I cannot lie. I was broken inside.

I trained my mind to keep moving, changing my thinking pattern, never focusing on anything for too long. I stopped listening to the radio for a long time. I changed my whole life in order to cope because I have no intention of giving them the satisfaction of my complete self-destruction.

I submitted list of songs, copyright copies, and contracts request for assistance; however, I received my materials back from all the attorneys, groups, and agency, along with letters expressing no interest in representing me. On May 20, 1996, I filed a lawsuit against BMI, Zomba and Jive because of their lack of response to my request as to how BMG, MCA, EMI, WEA, Polygram and Jive have released songs which blatantly infringe upon my copyrights. I sent these lyrics to Zomba.

 

This was a joke and I was completely insulted and NO, I didn’t sign that mess…I have been fighting EVERYONE SINCE!

        Note: Paul Katz was sent a copy of letter regarding advance. I never knew he was affiliated with Zomba, prior to Paul Katz’s name was listed on check as signer.

Blackstone and Dave Renzer were right there playing the games directly so in spite of what you read. 

I personally experience their deceit and involvement with the copyright infringements throughout those years. Everyone I spoke with was having a good time playing with my lyrics. Oh they loved them all while I was sending them and then when I started to get back to the money it was quickly turned to attack, deny and the games.

 bigr Zomba's Resonse to allegations

 

 

This was a joke and I was completely insulted and NO, I didn’t sign that mess…I have been fighting EVERYONE SINCE!

 

 

Courts advised complaint must comply with F.R. Civil procedures; short and plain statements, numbered with demand for judgement. Court gave (10) ten days to respond; So I did…

On June 24, 1996, I responded with request for counsel to be assigned to prevent protraction due to lack of management (within legally alloted 10 days time). Note: U.S. District court seal, dated Jun 24, 1996 at 10:45am…AND

Note: On June 24, 1996, I provided court with 2nd/Revised Complaint that was ‘set forth in short, plain statements’ as required by law.

          Note: Clearly explained Each document listed as Exhibits

 zomba lawsuit page one

zomba lawsuit page two

zomba lawsuit page three

bigr Zomba's Resonse to allegations

Note: Clearly explained Each document listed as Exhibits

Both; The Revised Complaint and the Letter of explanation ‘set forth in numbered, short, plain statements that clearly state my argument, basis for claim, legal theories, supporting documents listed as exhibits, provided jurisdiction and demand for judgment as required by Fed. Rules on Civil rules of law. I presented the courts with copyrights

 

 

Each form presented to courts was sent to Defenants